Illuminare
by Elaine Hagenberg
~ plus ~
Stabat Mater
by Kim André Arnesen
Spring 2025 Concert Notes
Tina Johns Heidrich, Conductor
Joseph Jacovino, Jr., Accompanist
Connecticut Master Chorale Orchestra
Sunday March 23, 2025 - 3:00 pm
First Congregational Church, Danbury, Connecticut
- Tickets - Directions -
Illuminare – Elaine Hagenberg
These concert notes were sourced from Elaine Hagenberg's Web Site.
Elaine Hagenberg
b. 1979
llluminare is Elaine's first extended work, consisting of five movements for SATB chorus and chamber orchestra. Using lesser-known sacred Latin texts, the five sections create a narrative arc with common thematic material woven throughout.
With a majestic and bright opening in D major, Illuminare begins with a radiant flurry of 16th notes representing the entrance of Light. Then the voices enter in powerful unison, and the Ambrosian hymn text bursts into a punctuated and joyful "Gloriae" section. As the music turns to a softer legato passage, a portion of the peace theme is revealed in the cello-a theme that will emerge several times throughout the work. The music then returns to the joyful rhythmic momentum of the beginning.
The second movement features the women's voices and portrays a tender season of beauty. The elegant words of Hildegard von Bingen hearken back to an image of Eden - a time of goodness and purity. After a slow and gradual ascent to the word "pacis" (peace), a brief moment of the peace theme gracefully reappears in the cello, concluding with serene sustained tones.
Movement three takes a dramatic shift. Sensing an ominous shadow on the horizon, the choir sings the traditional Kyrie text (Lord have mercy). Then, a percussive B- minor blast of fury disrupts the world as the text turns to "Nox et tenebrae" (night and darkness). Accented rhythms and mixed meter further create chaos, confusion, and despair.
In movement four, the darkness begins to fade and the peace theme emerges once again, yet this time lingering in a minor mode. The shadows of the night clear away and the choir ascends to the word "Lux" (light). Yearning for the peace they once knew, the singers plead a heartfelt prayer, culminating in a dramatic crescendo to "munera pacis" (grant us peace). Then, suddenly, the music becomes still and calm. The peace theme that has been whispered throughout the work is finally revealed to be the voice of Christ gently assuring us: "Peace I leave with you, my peace I give to you." The orchestra swells to affirm these comforting words, then concludes by echoing the beauty of movement two - now with a new hope of an even greater peace.
At the arrival of the final movement, joy is restored as the orchestra gradually returns to full force. Energetic rhythms support the soaring vocal lines as the choir sings from the prophecy in the Canticle of Zechariah: "illuminare his qui in tenebris" (illuminate those in darkness). Then a return to brilliant D major and rhythmic material from movement one blaze forth to declare: Light has triumphed to guide us toward a brighter future.
Illuminare has received numerous performances nationwide and worldwide with many more to come!
Stabat Mater – Kim André Arnesen
These concert notes were sourced from Kim André Arnesen's Web Site.
Kim André Arnesen
b. 1980
Kim André Arnesen's Stabat Mater breathes new life into the 13th-century Latin hymn, which portrays the Virgin Mary's suffering at the crucifixion of her son, Jesus Christ. Arnesen's characteristic rich harmonies and memorable melodic lines combine to create a powerful and emotional major new work.
Kim André Arnesen is one of the most frequently performed composers from Norway today. He grew up in Trondheim where he was a chorister in the Nidaros Cathedral Boys' Choir, later being educated at the Music Conservatory in Trondheim. As a composer, he had his first performance at the age of 18 with the boys' choir. Since then he has written music that has been performed by choirs all over the world and piano pieces that have topped Apple Music's classical charts.
Recordings of Kim's works include the Infinity collection on Naxos and the Holy Spirit Mass on Decca. Alongside choral gems including Flight Song and Ubi caritas et amor his recent output has featured larger-scale works such as Stabat Mater and The Stranger.
Those who attended the CMC performance of Arnesen's Requiem for Solace in 2019 will remember how we all were deeply moved by his passionate stylings.